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Human Concerns

Architecture

The Special Characteristics of MRT Station Design

The architectural theory "Form follows function" explains the design of MRT stations. The station forms are developed according to the basic functions. For example, the possibility of large numbers of passengers entering and exiting the stations in a sudden flow should be considered; passenger circulation should be planned simply and clearly; space should be planned in modules systemwide. Furthermore, in addition to operational demands such as scheduling, the length and width of cars, and the variety of station types according to site conditions, architectural design should also consider the following factors:

*Passenger circulation

*Arrangement of ticketing facilities

*Location of elevators and escalators

*Rooms for staff and equipment

*Air conditioning and ventilation

*Facilities for the disabled

*Platform screen doors (to be installed initially on the Xinzhuang line of the long-term network)

Therefore, "function" is the first priority of station design. In this way, the design concept of transportation architecture differs from the design considerations of other public buildings.

Architectural styles vary on each line. On the first two MRT lines having started commercial service, namely, the Wenhu line (Muzha section) and part of the Tamsui line, the stations are elevated. Each line was given a specific theme, leading to unique identities in architectural design. The "high-tech" style of the Wenhu line (Muzha section) and the variations on traditional Chinese architecture on the Tamsui line have made their stations landmarks in their respective environments. The architectural design of each line is introduced briefly as follows:

Tamsui Line

Mingde StationSpanning 22.8 km from the suburban Tamsui Station to Taipei Main Station, the Tamsui line is noted for its unique architectural characteristics. In the downtown area, tunnels were built under the route of the old Tamsui railway line. At ground level, station entrances are scattered and merged into various landscaped areas and pedestrian malls, providing local residents as well as transit passengers with a pleasant space to spend time in, to stroll around, and, of course, to travel in.

In the suburban part of the Tamsui line, station design has many special features, not only reflecting the heritage of local architecture, but in some ways imitating the architectural elements adopted by our ancestors.

At-grade stations were built in the southern Fujian Province style, and the elongated northern imperial temples served as "blueprints" for elevated stations.

A special example is Jiantan Station, where the entire station structure was erected on two huge concrete columns and suspended, forming an overall image of a "dragon boat," an important feature of Chinese culture.

The design basis of the keystone arches and brick walls of Tamsui Station, located in the heart of Tamsui District, stemed from the local colonial-era building known as "Fort San Domingo."

Wenhu Line (Muzha section)

Glass and steel create a high-tech appearance. The Wenhu line (Muzha section) is the first medium-capacity transit (MCT) line in the Taipei area. Since all the stations are elevated and most of them are located above streets, station design was strictly limited by clearances and related buildings codes. The minimal use of decorations, along with the glass and steel, creates the look and feel of modern-style architecture, and the stations' structure does not conflict with nearby buildings.

Zhonghe Line

The whole line is built underground and mainly passes through older districts with narrow roads. The design of this line does not try to create a new architectural style. Instead, its aim is an economical way of generating renewal of its surroundings. In the construction of this line, joint developments with surrounding buildings were actively promoted. As for aboveground facilities, the principle is to avoid heavy impact on the urban landscape. With no special landscaping or distinguishing outside features, the interior became the key point in station design.

Nangang Line

This underground line connects the busy Ximen ("west-gate") area with the eastern commercial district. Therefore, the main design goals on this line are not to establish one architectural style but to integrate into the environmental context, to redefine the existing commercial spaces and activities by means of new transportation facilities, and to create a new commercial area along the underground malls connecting MRT stations. The underground malls link areas that are separated by roads at ground level. Because land is expensive and sites for equipment are hard to acquire, vent shafts and ground-level entrances are reduced in size and designed in a simple style in order to avoid a heavy impact on the urban landscape. Some vent shafts are even designed as public art to create new landmarks in urban spaces.

Xindian Line

All the stations are built underground. The line connects NTU Hospital Station downtown with Xindian Station in a suburban scenic area. Station design was not regulated by a monotonous style but coherence with the surroundings, and specific characteristics for each station were emphasized. For example, the design elements of wall finishing, grille windows and the glaze-tiled roof of Chiang Kai-Shek Memorial Hall Station are clearly visible both inside and outside Chiang Kai-Shek Memorial Hall. The entrance to Jingmei Station is a simplified arcade while Gongguan Station uses roofs and octagonal windows which often appear in Chinese gardens. Guting Station, with its metal arches and glass, has light and transparent entrances that integrate with the modern steel and glass buildings nearby. The unique feature of this line is not the stations themselves but their integration with the architectural environment.

Xinzhuang Line

Starting with the Xinzhuang line and Luzhou line, the design of above-ground forms and interior finishings in stations will present new concepts. For example, in the contract of the detailed design consultants (DDC), DORTS has stipulated that the consulting team must include a public art curator, who will participate in the architectural design process and provide background analysis and investigation according to the environment and human context of the station. The aim is to establish a design theme that is integrated into the development of the overall design. In order to reduce the effect on the urban landscape and the visual impact on adjacent buildings, the form and volume of above-ground facilities will be reduced, and light and transparent materials will be used.

Furthermore, to create a bright, vivid and modern effect and decrease the claustrophobic pressure caused by the reduction of space within stations, special consideration is given to the interior finishing and the integration of the design theme with the overall architectural style. In passenger circulation intersection areas and waiting zones, the floor and ceiling patterns are specific on their line variations, graphics collages and color transitions in order to establish a visual focus. Public art installations will also add variety to the interior space and create an artistic atmosphere.

The Xinzhuang line is divided into two parts located in Taipei City and Taipei County respectively. The line passes through Taipei City, Sanchong City and Xinzhuang City, and has different characteristics and development backgrounds for each area. The architectural forms of the stations are designed under the guidelines provided in the previous paragraph, with an aim to integrate the local context into station design.

Luzhou Line

The scope and local characteristics of the Luzhou line are easily defined. The name "Luzhou" in Chinese means the "land of egrets" or the "land of reeds," both of which were formerly a feature of the scenery of the area. Therefore, the common design theme of the five underground stations is the egret. These birds are depicted in various ways, such as gliding with the winds, playing in the water and flying over treetops, and have been adopted to form a series of subtitles related to egrets, such as "Wind," "Water," "Reeds," "Sand," and "Fields." These sub-themes are presented in concrete or abstract form in the entrances and interior finishings to create the architectural character of this line.

Wenhu Line (Neihu section)

The Wenhu line (Neihu section) is an extension of the Wenhu line (Muzha section), which is a medium-capacity transit system. In addition to Dazhi Station and Songshan Airport Station, which are built underground, there are 10 elevated stations on the line. According to the environmental characteristics and human context of areas crossed by the MRT line, the architectural design languages can be divided into three categories, which are "Residential and Suburban Scenes," "Commercial and Recreational Environment," and "Industrial and Technological Landscape." With elevated stations being a main feature, these categories together form a theme entitled "River in the Sky." The design theme of the whole line is called "The Story of Lake City." (Neihu in Chinese means "inner lake.")

As for the station forms, public art is the starting point of the design theme and embodies the subtitle and color scheme for each station. Considering ease of maintenance and management as well as presenting an image of speedy MRT transportation, the station forms are designed neatly and geometrically, with a master form for all stations and their entrances on the Wenhu line (Neihu section). To fulfill the desire for a simplified form, most of the stations are designed as simple and light steel structures. Exterior walls are color-coated metal with enamel panels, and large glass windows are used to make the effect light and transparent. The stations use a consistent architectural language and similar elements but vary according to the environmental conditions.

  • Hit: 5961
  • Updated: 2013/6/7 09:51
  • Reviewed: 2017/2/10 09:36

  • Source: Department of Rapid Transit Systems, Taipei City Government
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